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City Frequencies - The Interests of Entities

from Distance: Sounds for an Empty Space by Various Artists

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    Volume 1 of Distance: Sounds for an Empty Space, contains tracks by figital, iubar project, Jennifer Lea and Sectoral.

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  • Cassette + Digital Album

    Volume 2 of Distance: Sounds for an Empty Space, contains tracks by WiLL-i-ROMS, City Frequencies, Nicole Skeltys & Bill Garrett, and Zogam.

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  • Cassette + Digital Album

    Volume 3 of Distance: Sounds for an Empty Space, contains tracks by Kazumichi Grime and Michael Mildren.

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  • Three cassette set with all tracks from the Distance album.
    Volume 1 includes tracks by figital, iubar project, Jennifer Lea and Sectoral
    Volume 2 includes tracks by WiLL-i-ROMS, City Frequencies, Nicole Skeltys & Bill Garrett, and Zogam
    Volume 3 includes tracks by Kazumichi Grime and Michael Mildren

    Includes unlimited streaming of Distance: Sounds for an Empty Space via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
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about

The track is built from the combination of two different audio phenomena that represent the hidden forms of communication and technology that surround us.

Firstly, a software defined radio frequency scanner makes audible the radio signals around us we are not meant to hear, from the artifacts of the software scanning process itself, the ethereal spaces between radio stations and transmitters to the electronic byproducts of a digitally connected landscape, all occurring at frequencies above 30 Mhz and recorded from within the heart of the city.

Secondly, augmenting these radio sounds are the near ultra high frequency (NUHF), the usually inaudible sounds that occur between 18 and 24 kHz and are transmitted by everyday speakers in televisions, mobile phones, advertising billboards and internet streams. These tracker sounds are derived from internet based companies that surveil us, quantify us and nudge the everyday experience of contemporary urban living.

Further, using the method by one company that embeds such transmissions in television adverts, an inaudible NUHF message is repeated throughout this track where a particular frequency represents a letter from the alphabet, spaced by 75 hz, so that: A = 18000hz, B = 18075hz, C = 18150Hz etc. The message it transmits is a quote taken from Australia's Privacy Act 1988 Part I, 2A(b).

credits

from Distance: Sounds for an Empty Space, released November 6, 2020
Composed and produced by Matt Adair and Nick Wilson

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Clan Analogue

The Clan Analogue collective was started in Sydney, Australia, in 1992 by a small group of people who were interested and active in electronic sound. Largely fuelled by the sore lack of live venues in Australia for electronic music and a lack of options for releasing recorded material, Clan Analogue was born out of necessity. ... more

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